The Southern Waltz (#7)



The Southern Waltz #7

“Winona Echoes,” by Narmour and Smith

July 30, 1934, Atlanta,  GA

Born in Ackerman, Choctaw County, Mississippi on March 22,1889, it was not until seven years later that his family moved to Carroll County, where he remained until he died on March 24, 1961, at age 72. He was survived by his wife, his sons, Coleman and Charles, and daughter, Hazel.

Willie Narmour was one of the most influential early fiddlers from Mississippi, widely known for “Carroll County Blues” and his collaboration with guitarist Shell Smith. They played and recorded together from 1928 to 1934. Narmour and Smith remained rooted in their community and seem to have traveled little other than the recording trips to Memphis in 1928, New York in 1929, Atlanta 1929 and 1934, and San Antonio Texas in 1930.

Willie first learned to play on a cigar box fiddle that his father, John Narmour, made for him. Willie came from a musical family: his father also played fiddle, and his father’s brother, Henry, played fiddle, bass fiddle, beat straws, and clogged. Henry’s wife, Jimmie, sang. Willie is best known as a fiddler but he also played guitar (as on the recording of “Rose Waltz” which he played in the same style as Shellie Smith).

He did not read music and had little formal education. In an area where men tended to be taciturn, his personality was described as being as engaging as his music. He played music, drove a school bus, farmed, and ran an auto mechanic garage to support his family. He loved to hunt. Though not religious, Willie did occasionally attend the Pisgah church, which was very close to his home in Valley.

(Knowing that dances were rife with drinking and fighting and that Willie was of small stature, I asked Charles Campbell, the deputy sheriff in the area when Willie played for local dances, “Did he ever get into fights at these dances?” He answered, “No, he had friends…” implying large muscular friends, who protected him.)

He continued to play in public after his recording career ended in 1934, although not with Shell Smith. One site was the Alice Cafe in Greenwood, where he was known to play for admirers possibly as late as the 1950’s. He had other accompanists at earlier dates also, Lonnie Ellis of the Mississippi Possum Hunters recalls seeing Willie at the 1929 or 1930 Fiddlers contest in Kosciuskio with another guitarist.




2 Responses to “The Southern Waltz (#7)”

  1. Norman Mellin Says:

    I own the copyright on the photo you published on your website of William T. Narmour. I have the original in my folklife archive and your copy is a degraded copy I had taken through non-glare glass for Willie Narmour’s daughter, Hazel Wiggins when I interviewed her in 1992. I had the photo mounted in archival format and since then removed it from that frame and scanned it at high resolution to preserve it. I licensed a copy of the photo to Dave Freeman and Harry Bolick and no one else.

    I am giving you notice to remove the photo from your website.

    I will forward the contract I have with County Records if you want proof.

    Norman Mellin
    249 Reserve Place, Unit 337
    Kalispell, MT 59901

    /Users/NCM/Desktop/2 County Records Agreement.jpg

  2. Norman Mellin Says:

    I own the copyright on the photo of William T. Narmour and I had asked that this be removed from the Old-Time Party website. I did receive a reply that it was going to be removed but that has not happened. I have legal documentation to support my claim if you wish for me to submit it. I hope you will remove it promptly. Also the photo has been tampered with which is a further violation of copyright. The image of a fiddler on the far left has been layered over the original.

    Norman Mellin
    249 Reserve Place, Unit 337
    Kalispell, MT 59901
    662-312-1740 cell

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