by Eric Davidson and Jane Rigg (from notes to “Uncle Wade” FA 2380):
In 1956 and 1957, Wade Ward was visited by Michael Seeger and myself and this began a phase of widening contacts and ever-increasing fame which lasted until his death. In contrast to the old days of the pre-war Lomax visits, electricity was now available in the mountains, and it was now possible to make a thorough study of the whole of Wade’s repertoire.
Comparison with the earlier recordings shows that at this time he had lost none of his famous precision and speed. Later this was no longer routinely true, though on occasion, particularly in the excitement of playing with others, he could still summon his old brilliance.
In 1962, Wade was featured on two records assembled by the writer and others: Traditional Music of Grayson and Carroll Counties”, FS 3811 (Folkways, 1962), and “The Music of Roscoe Holcomb and Wade Ward”, FA 2363 (1962). Half of the latter album was devoted exclusively to his music. In 1963-66 we made an attempt, in which Wade enthusiastically cooperated, Wade together with Glen Smith, a very excellent old time fiddler from Hillsville, Virginia. For some of these sessions Fields Ward, who happened to be in his home country at the time, was also present. “Band Music of Grayson and Carrol Counties, Va.” (1967) includes some of the pieces then recorded. Wade exulted in the pleasure of playing the old time banjo-fiddle music, and his performances were often as good as in the best of his younger days, though he was already well over 70.
Wade’s years with Mollie, a sweet and generous woman, were happy ones, and he was devastated by her death from cancer on August 4, 1961. While Mollie was alive, and for several years thereafter, her mother, Granny Porter, then in her 80’s, also lived in the Peachbottom Creek house. Granny was as pithy, sharp and humorous as Uncle Wade, and together they made a memorable pair. Once a banjo picker herself, Granny Porter too had deep roots in old time music, having come of the family of a legendary old time fiddler, Van Sage. Occasionally Granny and Wade made music together. Wade accompanies Granny on a striking rendition of “Barbr’y Allen” in “Songs and Ballads of the Blue Ridge Mountains”, (AH 3831, 1968) Asch Records (Folkways).
As the 1960’s wore on Wade was invited to visit the great urban centers of the Northeast to perform there. This he was reluctant to do, finally being persuaded to come to the Smithsonian Festival at Washington in 1967. On the way he stopped in Richmond and performed for the governor, Mills Goodwin. He was 75, and it was virtually the first time Wade had taken his music out of his native hill country.
Thereafter he made several other trips to Washington and on one trip in 1969 performed with Fields in Maryland. Recognition was his finally, and as a recent article by John Cohen put it, “the trip to Wade’s house was part of the homage to old time music that one paid.” But it was very late in his life. By now Wade had outlived not only his two wives and all his brothers, and the two generations of old time musicians he had played with during his long career, but also the isolated mountain culture from which he and his music grew. He died on a chilly, late May day, a day on which he had done just what he always did, picked the banjo at the land sale, stopped in to see Katy Hill, and gone home to sit on his porch and look out over Peachbottom Creek