St. James Sessions (#2)

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st_james from https://roothogordie.wordpress.com:

St. James Sessions is a very welcome website dedicated to the recording sessions held at Knoxville, Tennessee’s St. James Hotel in 1929 and ’30. It might seem obscure at first glance, but from this modest collection of dates came some of the greatest records of the pre-war period.

Curiously (and frustratingly), the best records to come from St. James were by artists who only made one record a piece: Alex Hood and his Railroad Boys’ “L&N Rag” and “Corbin Slide” and Hayes Shepherd’s (as the Appalachia Vagabond) “Hard for to Love” and “The Peddlar and His Wife.”

These records have more style and personality than 18/20ths of their hillbilly contemporaries. Also made here were the two sides of Howard Armstrong (Louie Bluie) and Carl and Roland Martin’s Tennessee Chocolate Drops: “Knox County Stomp” b/w “Vine Street Rag.” Carl Martin’s later records in the early ’30s don’t come close to comparing to the Drops’ tunes from St. James; Louie Bluie’s 1934 dates with Ted Bogan get closer, but we’d take these first.

See also: the four sides of the Perry County Music Makers – with Nonnie Smith Presson’s lonesome yodelling and autoharping – and the killer religious piano blues* of Leola Manning. Her “Arcade Building Moan,” about a fire which killed several children in Knoxville, was included on one of Dick Spottswood’s Folk Music In America volumes, and has long haunted us. This site gave us our first chance to hear her topical murder ballad “Satan Is Busy In Knoxville.”

See also here.

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