The Latest Popular Mandolin and Guitar Music, by The Ragtime Skedaddlers (http://ragtimeskedaddlers.bandcamp.com)
A hundred years ago, ragtime was America’s original popular music, a blend of African-American folk roots with marches and old-world dances. While usually played today as a solo piano music, in their time rags, cakewalks, and marches were often played by string bands consisting of mandolins, banjos, and guitars. Using arrangements published during the ragtime era, the Ragtime Skedaddlers continue the tradition of ragtime string bands.
Unlike other “traditional” groups who take their inspiration from various notions of New Orleans jazz or Chicago jazz, the Skedaddlers go back to a time when string ragtime, light-hearted yet propulsive, was America’s true popular music. This trio doesn’t speed up or approach the music with either clownish levity or undue scholarly seriousness.
Rather, they are old-fashioned melodists, creating sweet lines that arch and tumble over one another in mid-air. It is as if Dvorak had been transplanted to a Southern or Middle Western backyard picnic or country dance in 1895 and had immersed himself in sweet harmonies and dance-like motions. The Skedaddlers are entrancing on their own, and a delightful change from the often heavy ensembles so prevalent in occasions of this sort.
This CD has a lot going for it. The musicians are talented and well rehearsed. The playlist has a theme (arrangements for mandolin and guitar taken from early publications) and the recorded sound is very good. The liner notes are filled with interesting historical data and minutiae about the composers, the arrangers and the early publications themselves. Quality artwork is featured, including many old photographs. And to top it off, the music is lively and likeable.
The Ragtime Skedaddlers are mandolinists Dennis Pash and Nick Robinson and guitarist Dave Krinkel. With this disc and their previous release (Mandophone CD0901), they have produced perhaps the only high fidelity recordings devoted almost exclusively to these early arrangements of rags and cakewalks for mandolins and guitar.
We are treated to perennial favorites (Peacherine Rag, Eli Green’s Cake Walk, Apple Jack, Chicken Chowder), rare discoveries (A Florida Cracker, Mississippi Bubble, Shiftless Johnson) and other enjoyable selections. To break up the cakewalk theme and add a bit of variety, the Skedaddlers have also included a Brazilian choro (Dengozo), an Indian intermezzo (Silver Heels) and an habañera (Cuban Belles).