The Strachwitz Frontera Collection of Mexican and Mexican American Recordings by
“Invisible behind this large-format (8” x 11.5”) paperback is the reason for its existence: the archive described in its (also large-format) title. Nobody else in the roots music and collector world was interested in Mexican- American and Mexican music when Chris Strachwitz started acquiring all the discs – and photographs, posters, catalogues and other ephemera – he could lay his hands on.
Buying up radio station and distributor stock, and the inventory of record labels that went out of business, was usually more productive than junking; records that survived in private hands had often been played to death. The Strachwitz Frontera Collection comprises – deep breath – 33,472 performances on 78s, some 50,000 on 45s, 4,000 LPs and 650 cassettes, and is, needless to say, by far the largest archive of this music in existence.
Thanks to grants from various foundations, and notably to a share in $500,000 from regional superstars Los Tigres del Norte, by late 2010 all the 78s and about half the 45s had been digitised, and entered into a database at the UCLA Chicano Studies Research Center. This is accessible via <http://frontera.library.ucla.edu/index.html>, although for copyright reasons only the first 50 seconds of each recording is available to computers off-campus.
The book under review explores some of the possibilities for research enabled by this resource. First, though, there are chapters about Chris Strachwitz and Arhoolie Records, and an account of how the Frontera Collection came into existence, through Chris’s encounters with the late Guillermo Hernández, a professor of literature who turned to studying border music and corridos after seeing Les Blank’s film, ‘Chulas Fronteras’, and learning of the existence of Strachwitz’s collection. Chris himself contributes a short history of the recording industry, with particular reference to Mexican music. (more…)