by Frank Matheis (www.thecountryblues.com):
Meet Jerron Paxton, a modern day songster, minstrel and bluesman. He is truly the living embodiment of the true blues in the 21st Century, but he plays it all in the true songster tradition: ragtime, hokum, old-time, French reels, Appalachian mountain music and blues and more – and whatever he plays sounds great .
The young bard was born in 1989, but his vast talent rivals the greatest in the genre. He is the whole package. He’s witty, fast rhyming, poetic, fun, exciting, wonderfully skilled as a musician and a fine singer, he is the continuation of a proud tradition, literally and figuratively. It’s hard to tell at times when Jerron Paxton, a consummate entertainer, is putting on an act, when he takes his act to real life and when life starts and the act ends.
He seemingly appeals to audiences into the old-times look and sound, but it could also be, as he told the countryblues.com “I just like wearing overalls.” The artist has even reported to be the real-life son of Robert Johnson’s cousin. At first glance he looks like he’s playing the part of a bluesman in a Hollywood movie, dressed with theatrical retro-schtick, with some type of various hats, from Derbies to Orthodox Jewish kippa.
The tall, corpulent young man almost looks like a young Willie Dixon, and he is smart to make hay when the grass is high, marketing himself directly to the segment of the blues community with a great nostalgic hunger for authentic musicians that accurately portray the image of the romanticized 1930s rural minstrel. It could be that for now, his closest local support group is the Jalopy Theater scene in Brooklyn, where there is an active old time community. (more…)